Wednesday, April 22, 2015


Writers and readers – a symbiotic relationship. Ideas spark writers to create stories and build worlds and characters for readers’ consumption. Readers add imagination and thought along with their backgrounds and attitudes to interpret those stories, deriving meaning and enjoyment in the process. A story is incomplete without both writer and reader.

What then do readers want? What constitutes a compelling story? How do men and women differ in their preferences? Where do readers find recommendations? What are their attitudes to pricing or their favourite reading blogs? These and other questions have been the subject of two previous reader surveys.

ANNOUNCING A 2015 READER SURVEY, conducted by the talented M. K. Tod (see more on Tod below) designed to solicit further input on reading habits, historical fiction preferences, favourite authors and, for the first time, favourite historical fiction. THE SURVEY WILL BE OPEN UNTIL MAY 14.

If you are a reader or a writer, please take the survey and share the link [] with friends and family and on your favourite social media. Robust participation across age groups, countries, and other demographics will make this year’s survey even more significant. Those who take the survey will be able to sign up to receive a summary report when it becomes available.

         HISTORICAL FICTION IS MAINSTREAM: Less than 2% of participants said they rarely or never read historical fiction.

         GENDER MAKES A DIFFERENCE: Women and men differ significantly in their reading habits and preferences and their views of historical fiction.

         AGE MAKES A DIFFERENCE: Those under 30 have different preferences for genre and time period 
and have different patterns of consumption and acquisition.

         SOCIAL MEDIA IS HAVING A BIG IMPACT ON READING: Social media and online sites play an increasingly significant role for those choosing, purchasing, and talking about fiction.

         BOOK BLOGS ARE VERY POPULAR: 1,473 participants listed one, two or three favourite blogs.

         GEOGRAPHY: Responses to questions such as the use of online tools for recommendations and purchasing and preferred setting for historical fiction varied by geography.

         PRICING: Sadly, readers are pushing for low prices. For example, 60% want e-books at $5.99 or less and 66% want paperbacks at $10.99 or less.

         ONLINE BOOK CLUBS ARE GAINING POPULARITY: 21% belong to online clubs while 15% belong to clubs meeting in a physical location

         VOLUME OF BOOKS READ MAKES A DIFFERENCE: for example, high volume readers have different expectations for book reviews, a higher interest in tracking their books, and higher usage of online tools and social media to augment their reading experience.

Participate in this year’s survey by clicking the link and please share the URL with others

M.K. Tod writes historical fiction and blogs about all aspects of the genre at A Writer of History. Her latest novel, LIES TOLD IN SILENCE is set in WWI France and is available from Amazon, NookKoboGoogle Play and iTunes. Her debut novel, UNRAVELLED: Two wars. Two affairs. One marriage. is also available from these retailers.
Mary can be contacted on Facebook, Twitter and Goodreads.

Thursday, April 2, 2015


He couldn’t have known, at the time of his birth, that his father had been brutally slain exactly one month to the day before he was birthed into the world. And yet Giulio, the child of Giuliano de’ Medici and Fioretta Gorini, must have found out, must have learned the truth of his father.

Though most call him Giuliano’s bastard, further research leaves one to believe that, through the power of Lorenzo de’ Medici—the strength of Il Magnifico—he was legitimized in the eyes of the law and the eyes of the church. It was contended that Giuliano and Fioretta were married in secret, per sponsalia de presenti, and that, somehow, proof of this was ‘discovered.’ By virtue of a well-known principle of canon law, Giulio was a bastard no more.

He was raised in his uncle’s house, raised as one of Lorenzo’s own children, with an intensive, all-encompassing, and Humanistic education. He was cared for by the very nurturing Clarice. And yet, when he learned, when Giulio found out the details of his father’s horrific assassination, what must it have done to his young mind? Would the machinations of the Medicis and the Pazzis, which led to his father death, blight him against such a way of life?

It would appear to be so.

Little is written of Giulio’s childhood, adolescence, or young adulthood. Knowing the tight bonds and the dominance of the Medici clan, it is safe to assume these years were spent in deep study and in learning the ways of politics and despotic ruling by Lorenzo’s side. After the death of Lorenzo, incurring the misguidance by Piero, Giulio, like most of his family, went into exile in 1494. Traveling the Italian countryside brought him honors nonetheless; he became a Knight of Rhodes, a military association, and a Grand Prior of Capua. Like his cousin, his obeisance to the Roman Catholic Church would deliver his freedom to him once more.  

Giulio comes into his own in 1513 when is cousin, Lorenzo’s son, now Pope Leo X, conferred on Giulio the title of Cardinal and made him legate at Bologna. Leo X’s propensity for a pleasure-loving lifestyle, left much, if not all, of the papal governing fell to Cardinal Giulio, where he proved himself to be a more than capable administrator.

zucchetto then and now
The zucchetto, the papal cap, changed heads quickly. Upon Leo X’s death in 1521, Adrian VI was quickly elected to the position by the College of Cardinals, Giulio doing much to push his victory. But Adrian’s reign was short lived. He took the papal throne in January of 1522, then left it, by his death, in September of 1523. In November of 1523, Cardinal Giulio became Pope Clement VII.

Young Pope Clement VII
Clement brought great diplomacy and economic stability to the papal states. However, there is much greater evidence concerning the areas in which he failed. Most prominent was his failure to either see the threat of the Protestant Reformation or his timidity to do anything about it. For this, he was often criticized not only by members of the Catholic church but by the people themselves. It appeared to many that he was, though ordained as the pope, more ingrained as a Medici and a Italian prince.

Politically he wavered, switching his allegiance between France and Spain as easily as the wind changes direction. Such ambiguity led to one of the two major events in the life of Pope Clement VII. 

His wavering support of the Emperor Charles of Spain brought about the Sack of Rome in 1527. In truth, the marauding of the Holy City was an act of mutiny on the part of Charles’ overworked, under-paid military, it nevertheless brought Charles a crucial victory over the League of Cognac, the alliance of France, Milan, Florence, Venice, and the Papal States.

As for Rome itself, it was laid to waste; the pillaging—and starving troops—left leaderless by the death of Charles of Bourbon at the very inception of the siege, proceeded to defile the city, raping, murdering, and vandalizing to their hearts content. Clement VII himself barely made it to the safe haven of the Castel Sant’Angelo. Although he agreed to pay a ransome of 40,000 ducats and cede many territories to the Emperor, he was held prisoner in the castle for six months. He found his escape through bribing Imperial Guards who disguised the pope as a peddler. Once free, Clement took shelter in Orvieto and later Viterbo. He did not return to Rome until October of 1528, where he found the city nearly abandoned and wholly ravaged. To add insult to his downtrodden life, back in his home city of Florence, those who always longed to see the mighty Medici fall, took the opportunity to once more exile the family from the city walls.

In June of 1529, much of his papal power was returned with the Peace of Bologna, bringing accord between the warring parties. The Papal States regained some of their lost cities and the Medicis were returned to power in Florence by the benevolence of Charles V. But drama was not yet done with Clement VII.

Catherine of Aragon
In the same year that Clement endured the sacking of his great city, he was being pestered on yet another front. A hedonistic, egotistic king who wanted a divorce from his wife, a divorce only the pope could grant. Through Cardinal Wolsey, Henry VIII’s demands on Clement were ceaseless. Demands Clement continually denied. While on the surface it may appear that Clement did so in keeping with the dictates of the Catholic religion, in truth, his actions were motivated by his keenness to keep his relationship with Spain, Henry VIII’s wife Catherine of Aragon being the aunt of the Emperor Charles, in tact. The act severed the relationship between Rome and England, indeed, between England and the Roman Catholic Church, a relationship never to be healed.

Clement had pacified Spain, broken with England. But what of France? In an effort to repair this alliance, Clement (or rather, in truth Giulio de’ Medici) betrothed his cousin’s daughter, Catherine, to Henri of Orleans in 1533. This young man, a man already in love with another woman, would become, due to the early death of his eldest brother, King Henri II.

An aged Pope Clement VII
Clement died, at the age of 56, in September of 1534. Rumors abounded that he was murdered, poisoned by mushrooms. It was a strange fashion of the age to give such salaciousness to deaths at the time, so such a theory cannot be given any great credence. For the most part, Giulio/Clement’s historical imprint is one of confliction and confusion; he is remembered as a Medici first, a man of the church second. His intelligence was remarkable while his diplomacy was deplorable. His personal life was beyond reproach yet despite good intention, the labels of heroism and greatness are denied him. And yet there is one lasting legacy of such magnificence, perhaps all else may be forgiven.

Just a few days before his death, Pope Clement VII commissioned a young sculptor and painter by the name of Michelangelo to render The Last Judgment on the altar wall of the Sistine Chapel, an act that gave birth to a true wonder of the world.

The Last Judgment

Thursday, March 19, 2015


It began in the Middle Ages, when a severe drought blighted the peninsula. No rain fell for days—weeks, months—on end. People died of famine, countless numbers, families were torn asunder. What could they do?

Joseph by Guido Reni
They prayed. Italians from all ranks of society prayed. They prayed to God for rain; they prayed to St. Joseph to intercede with God on their behalf. In return, they vowed that, if God blessed them with rain, they would honor God and St. Joseph with a special feast.

It was only a matter of days, when—by miracle?—the skies opened, the rains came and fed the earth. The earth flourished and crops were planted. More rain came. The crops blossomed and thrived. The people were fed. With the harvest, the people made a magnificent feast. The moment became known as the Tavola di San Giuseppe, the Table of St. Joseph.

The miracle was never forgotten. In the many centuries since, people continue to pray to St. Joseph for ‘favors.’ Such favors can not be for personal gain or benefit. They need to be for another…the cure of ill loved, the return of a loved one from war. On this day, St. Joseph’s day being March 19, those whose favor has been granted, use this day—in Italy celebrated by festivals and feasts in every corner of the country and many parts of the world—to give thanks.

Joseph, husband of the Virgin Mary, was a benevolent, generous man. Matthew’s gospel describes Joseph as ‘a just man.’ In Biblical times, the greatest compliment one man could bestow on another was to call him or her a tsaddik, a person of justice and virtue. Joseph was just such a man. He is known as the foster father of Jesus. Though there are differing theories of Joseph’s genealogy, it is most often supposed that he came from Nazareth and later made his way to Bethlehem for an unspecified time, two years being the best guess. There he obeys the direction of an angel to marry Mary.


After the birth of Jesus, the angel comes once more, telling Joseph of the peril the child is in, to take him to Galilee. His love and care of the baby Jesus could not have been more tender, more 'fatherly.'  In Galilee they settled. And there Joseph died on July 20, in the AD 18, at the age of 28. As Jesus had reached the age of 18, there is no doubt Joseph had been witness to the growing prophet that was ‘his son.’

Thursday, March 12, 2015


Leo X
The fifth surviving child of Lorenzo de’ Medici and Clarice Orsini was to bring the family notoriety and power of a sort they had not yet experienced. Unfortunately, much of his fame was, in fact, infamy.

example of Tonsure
As the second son, born December 11, 1475, Giovanni’s life would follow a familiar path for such a family position, in such an era. His life was marked for the church at a young age, whether he conceded or not. At eight-years-old, Giovanni received his tonsure—a ceremony that would, physically and spiritually, mark his change of status. Tonsure is the practice of cutting or shaving of the hair from the scalp, leaving a circle of hair from temple to temple. One can only speculate on the impact of such physical alteration at such a young age.

During the next few years, he received his education at the court of his father, an education that could, decidedly, be argued as one of the best to have in all of Italy, if not all of Europe itself. One of several tutors was Pico della Mirandola, a Humanist and a Platonist philosopher, Pico was widely known for his use of the Kabbala in support of Christian theology, a very unpopular theses.

University of Pisa
At the age of thirteen—with the help of his father and his father’s connection to a distant cousin, Pope Innocent VIII—Giovanni became the cardinal-deacon of Santa Maria in Dominica. From 1489 to 1491, he went on to study theology and canon law at the University of Pisa. When he became a member of the Sacred College of Cardinals in 1492, he planned to make his move to Rome. The death of his father in the same year, brought him back to Florence, to the home of his brother Piero.

Though Giovanni had a small respite in Rome, for the conclave that elevated Rodrigo Borgia to Pope Alexander VI, he suffered the same exile,
Rodrigo Borgia
brought about by his brother’s mishandling of family matters (see previous Medici post) that befell other members of his family. But unlike his family, he would remain in constant motion, traveling throughout most of northern Europe for more than six years. In 1500, he made his way to Rome, and stayed, taking part in two more conclaves, those elected Pope Pius III in September of 1503, and Pope Julius II in October of the same year.

It was to be a momentous year, as it brought, as well, the death of his brother, Piero. While his younger brother Giuliano held the first place in the republic of Florence, it was Cardinal Giovanni who ruled from his place in Rome, doing so for the next eight years. Named papal legate—a personal aid to the pope himself—in 1511, Giovanni’s ecclesiastical star was on the rise. With the death of Julius II in 1513, the cardinal conclave, longing for a peaceful successor to Julius’ war prone reign—elected Cardinal de’ Medici pope on March 11. Giovanni took his name of Leo X.

More refined and sophisticated than his predecessor, Leo was, at first, considered the personification of the Renaissance ideals. Once again, Rome became the cultural center of Europe. The construction of St. Peter’s Basilica begun by Julius was accelerated, the Vatican Library holdings were expanding, arts flourished. Spending money, both the church’s and his own, came easy to Leo, far too easy.

He was not very disposed to institute the major reforms the church needed in the face of the growing Protestant Reformation. It would prove to be his undoing. Instead of looking over his shoulder to the looming presence of Martin Luther, Leo X was far too busy cementing positions of power for his relatives, naming his younger brother Giuliano and his nephew Lorenzo to be Roman patricians. His cousin, Giulio, son of his slain uncle, Leo X appointed to the influential archbishopric of Florence.

Giovanni/Leo X, as a person, was a complex individual, while steeped in the need for power that seemed inherent in the Medici’s, Giovanni was, at heart, a calm man. Marino Giorgi, the Venetian ambassador, described him thus, ‘The pope is a good-natured and extremely free-hearted man, who avoids every difficult situation and above all wants peace; he would not undertake a war himself unless forced into it by his advisors; he loves learning; of canon law and literature he possesses remarkable knowledge; he is, moreover, a very excellent musician.’ In addition to music, Leo loved all forms of art and literature. He also loved men.

Marcantonio Flaminio
Though biographers debate Leo’s homosexual, there seems to be more evidence for it than against it. Francesco Guicciardini, Leo’s governor, wrote, “At the beginning of his pontificate most people deemed him very chaste; however, he was afterwards discovered to be exceedingly devoted—and every day with less and less shame—to that kind of pleasure that for honour’s sake may not be named." Further, Paolo Giovio, a bishop and historian, claimed that "the pope did not escape the accusation of infamy, for the love he showed several of his chamberlains smacked of scandal in its playful liberality." There are several suggestions the Count Ludovico Rangone and Galeotto Malatesta were among Leo’s lovers. But it seems to be a young Venetian nobleman, Marcantonio Flaminio, whom Leo preferred, arranging for Marcantonio the best education offered at the time.

Cardinal Wolsey
Politics and foreign affairs took up much time of his first years as pope. He joined his forces with those of Venice and and Louis XII of France in the league of Mechlin to regain duchy of Milan. They failed. When the new king of France, Francois I took the throne, he was obsessed with recovering Milan. Leo formed a new league with the emperor and king of Spain, and, to cement English support, appointed one Thomas Wolsey as Cardinal. Francis entered Italy in August of 1515 and by September had won the decisive Battle of Marignano. Leo turned from the league he himself had formed, signing a treaty with Francis, earning him the derision of many as two-faced and not to be trusted.

And yet, they would align themselves with Leo once more. Obtaining 150,000 ducats from Henry VIII, Leo entered the Imperial league of Spain and England against France. From February to September of 1517 war ensued, this one ending in success, and Leo’s cousin was Lorenzo confirmed as the new duke of Urbino.

But this war only widened the divisiveness between the pope and the cardinals. Surviving a plot colluded by several members of the College of Cardinals, Leo used the opportunity to imprison his enemies—whether involved or not—and executing one. He also used the moment to radically change the composition of the college.

Martin Luther
As Luther and the reformation gained control in Germany and Scandinavia, complicating his political situation, Leo’s dithering carried over to other areas. With the death of Emperor Maximillian, Leo vacillated between candidates, revealing his indecisiveness, his weakness. He joined in alliance with the new emperor, Charles of Spain, and once more went to war for the control of Milan, and now Genoa, against French control.  At last Leo was to know victory; the capture of Milan came in November of 1521. But the taste of victory would not last long. Suffering from bronchopneumonia, Pope Leo X died on December 1, 1521.

Perhaps it is none other than Alexandre Dumas, he of Three Musketeers authorship, who summed up Leo’s reign best: "Under his pontificate, Latin Christianity assumed a pagan, Greco-Roman character, which, passing from art into manners, gives to this epoch a strange complexion. Crimes for the moment disappeared, to give place to vices; but to charming vices, vices in good taste, such as those indulged in by Alcibiades and sung by Catullus."

Wednesday, March 4, 2015

Mein zweites Buch verfügbar 17. März
in deutscher Übersetzung

Die Tochter des Glasbläsers
Venedig, 1606. Wenn Sophia Kunstwerke aus flüssigem Glas formt, vergisst sie alles um sich herum: den kranken Vater, die drohende Zwangsheirat – und die tödliche Gefahr, in der sie schwebt. Keiner darf erfahren, dass die schöne junge Frau das allein Männern vorbehaltene Geheimnis der Glasherstellung kennt. Doch mit jedem Auftrag, den sie heimlich erledigt, steigt das Risiko, entdeckt zu werden. In ihrer Not vertraut sie sich dem charmanten Adeligen Teodoro an. Seine heißen Küsse haben ihr Herz erobert, aber Sophia weiß nicht, ob er ihr Retter sein wird – oder ihr Verräter …
"Eine der besten Romane geschrieben von Venedig ich je gelesen habe."
-Historische Roman schreiben

Die Murano Glasmacher in Venedig gefeiert und verehrt. Aber jetzt drei tot sind, um zu versuchen, die Stadt, die sowohl ihre Arbeit geschätzt und hielt sie gefangen verlassen getötet. Denn in diesem, dem 17. Jahrhundert, das Geheimnis ihres Handwerks sind, per Gesetz, nie verlassen venezianischen Küste. Doch es gibt jemanden, der das Geheimnis hält, während trotzt Tradition. Sie ist Sophia Fiolario, und sie ist auch ein Glasmacher. Ihr Verbrechen ist, eine Frau zu ...

Sophia ist sich bewusst, dass ihre Familie würde durch Skandal zerkleinert, wenn die Wahrheit über ihre Kenntnisse und Fähigkeiten mit Glas aufgedeckt werden. Aber es hat nie eine Bedrohung ... bis jetzt. Ein wohlhabender Adliger mit starken Verbindungen zu den Mächtigen Doge hat ihre Hand gebeten, und ihre Weigerung könnte gefährlich aufmerksam zu machen. Doch mit zu akzeptieren und aufhören, ihre Kunst würde sie zerstören. Wenn es eine Flucht, Sophia beabsichtigt, es zu finden.

Jetzt, zwischen dem Erstellen kostbaren Glasteile für einen Professor Galileo Galilei erstaunlichen Erfindungen und die Teilnahme an rauschende Feste auf den Dogenpalast, Sophia ist über den Weg sehr einflussreiche Leute - darunter einer, der ihr Leben für immer verändern könnte. Aber jedes Geheimnis hat ihren Preis. Und Sophia muss entscheiden, wie viel sie bereit sind zu zahlen, um sich selbst, ihre Familie und das Geheimnis des Glases zu schützen.

5 Sternen! Hervorragende Wahl für 2010 Absolutely superb. Russo Morin hat einen spektakulären Job. DAS GEHEIMNIS DER GLAS ist eine phänomenale historische Fiktion Geschichte über eine oft stören Zeitraum.
--book Illuminations
5 Sternen! Eine schöne Geschichte von meisterhafter Erzähler Donna Russo Morin; DAS GEHEIMNIS DER GLAS sollte nicht verpasst werden.
--single Titel
4 Sterne! Geschichte lebendig. Wie brillante Glas, wirbelt ihre Geschichte zusammen Farben der politischen und religiösen Intrigen, Mord und Romantik. Der Leser wird in das Leben ihrer faszinierenden Charaktere verstrickt werden. -
-RT Bewertungen
Die neueste inspirierenden historischen von Morin feiert die ewigen Charme von Venedig, Murano-Glas und Galileo, mit der Geschichte einer mutigen Frau, 17. Jahrhundert Glasmacher. Morin zaubert eine ungewöhnliche optimistische Schicksal ... was für eine ausgesprochen dulce Ende. "
-Publishers Weekly

Das Geheimnis der Glas ist ... gefüllt mit Figuren, die einfach zu gern sind und einem Grundstück, die Drehungen und durch die Geschichte zu einem zufriedenstellenden Abschluss macht. Wonderful 5-Sterne-historische Fiktion.
--Armchair Bewertungen
4.5 Sternen! Mit eleganten Prosa und verführerischen Stil, Donna Russo Morin bringt aus dem 17. Jahrhundert in Venedig herrlich zum Leben. "
4 Sterne! Sehr empfehlenswert!
-Historically Obsessed

Wednesday, February 25, 2015


He was the eldest son of Lorenzo de’ Medici, called Il Magnifico; he was the grandchild of his namesake, Piero di Cosimo de’ Medici, known as Piero the Gouty. And like that namesake, his reign as de facto ruler of Florence was not as esteemed as is father’s or his great-grandfather’s, Cosimo, Pater Patriae (father of the fatherland). This Piero’s life would be haunted be a series of truly unfortunate events.

Born in 1472, Piero received an encompassing and Humanist education, one of the best possible for the time. As a child, he played at the feet of such luminaries as Sandro Botticelli, Marsilio Ficino, Poliziano, Domenic Ghirlandaio, Verrocchio, and Leonardo da Vinci. When his father died in 1492, Piero was old enough to take his place at the head of the society and the ruling of Florence, the leaders of Florence gave him the power without question. He was old enough, but clearly not wise enough.
Piero was born with beauty, an attractive combination of the steely eyes of his father and the bone structure of his mother, Lucrezia Tornabuoni. Whether it was the consequence of being the son of one of the most powerful men in all of Italy’s history—with the wealth to match—or just his natural bearing, Piero was arrogant, undisciplined, and, unfortunately, when it came time to rule…feeble.

For two years, Piero ruled under a world swaddled in calm and peace; the efforts of his father to bring equilibrium between the Italian states seemed to be withstanding the test of time. But it was a time quickly running out. 

With a powerful army at his side, King Charles VII of France crossed the Alps in 1494, determined to take control, by virtue of heredity rights, of the Kingdom of Naples. In truth, it was a vengeful Ludovico Sforza, the ex-regent of Milan, who persuaded, as the devil would, King Charles to make such a maneuver. Fearful of the new king of Naples, Alfonso, Ludovico ‘allowed’ King Charles passage through Milan. However, in order for Charles to reach his ultimate destination of Naples, he was required to pass through Tuscany. 

With King Charles breathing heavily down his neck, Piero, pitifully lacking in political sense, was dealing with another challenger in his own city. Girolamo Savonarola. The enthralling and persuasive Savonarola called for reforms, away from the decadent lifestyle of the wealthy Florentines, denouncing the replete clerical corruption of the age, and degrading the despotic rule that had held sway over Florence for many generations. The only way of life Piero had ever known was being threatened, ever more so as the younger branch of the Medici family began their own intrigues against him.

Piero’s subsequent actions, unfortunately, proved foolhardy and ineffective. At first, he attempted to stay neutral; Charles wouldn’t have it. Piero then gave up the old alliance with France in favor of one with Naples. But as Charles charged downward from the Alps, Piero knew he had acted imprudently, especially when the Florentine elite—more and more under the influence of Savonarola—failed to support his decision. Thinking to imitate his father, who had hastened to Naples to avoid war, Piero rushed to meet the invader and his mighty forces. 

His capitulation was humiliatingly quick and meek. Piero surrendered the major Tuscan fortresses to Charles, agreeing to whatever the King of France wanted. His futile and fruitless actions roused an uproar in Florence, leaving the Medici only once choice…to flee.

Leaving the magnificent family palazzo to the looters of his own populace, Piero and his family fled to Venice, aided by Philippe de Commines. But it was a temporary haven. They led the restless lives of exiles, never again to see Florence. One must surely give him some respect, for he did try for reinstatement, upon three occasions, in 1496, ’97, and ’98. Unfortunately, they were all unsuccessful. 

In 1503, he made one last attempt. Still with a personal alliance with France, he traveled to southern Italy with the French forces of Louis XII who entered battle with Spain over control of Naples. Unfortunately, the battle turned against the French—against Piero—and in his attempt to escape, he was drowned in the Garigliano River. He was buried in the cloister of Monte Cassino, located between Naples and Rome. 

Having ruled Florence for over a half a century, it wasn’t long before the Medici family, with the help of the Holy League, once more regained control. Unfortunately, Piero would never know the success and astounding notoriety so many of his kinsmen enjoyed.  

Wednesday, February 11, 2015


From the generation of Lorenzo de' Medici (Il Magnifico), eight in all, there will be born thirty-eight children. Of those, there will arise two popes, a feeble despot, dukes, and powerful political and financial players. But what of the others…what must it have been liked to be a regular de Medici? Is there such a thing? Here is a look at them all.

Maria Salviati with her only
son, Giulia de' Medici
Pontormo c 1527, oil on panel
In the previous post, Caterina Sforza Joins the Medici Family, her son with Giovanni de’ Medici produced the famous condottiero, Giovanni dalle Bande Nere. His star burned brightly but flickered for only a short time. Dalle Bande Nere committed his first murder at the age of twelve. His violent, volatile behavior caused him to be banished from Florence on two occasions. At 18, he officially became a condottiero, serving under two popes. In 1526, the War of the League of Cognac began. During the battle on the night of November 25, Giovanni was hit by a shot from a falconet, a ball that shattered his right leg above the knee. At first he was brought to San Nicolo Po, but there they could find no doctor to treat his wound. He was then taken to the palace of the Marquis of Castel Goffredo in Mantua where the surgeon Abramo amputated his leg. Though his spirit showed the strength and determination of recovery, it was all for naught. On November 30, 1526, he died, either from septicemia or gangrene. He lived no longer than 28 years. His wife, Maria Salviati, became a widow at the age of 27. Maria never remarried, instead she donned the garb of a novice and lived a quiet life caring for her only child and then her grandchildren.

The marriage of Lorenzo di Pierfrancesco de’ Medici and Semiramide Appiano produced five children. Of most of them, very little is known, giving possible evidence of normal, unremarkable lives. Only their youngest child, Pierfrancesco II de’ Medici (aka Pierfrancesco the Younger) distinguished himself, but, in the relativity of the Medici, it was in a meager manner. He took little part in the politics of the city of Florence, save for a one time service as ambassador in the Papal States in 1522.

Though often Fioretta Gorini, as well as her sister Antonia, are called the slain Giuliano’s ‘widow,’ there is no evidence whatsoever that he ever married. There are much stronger indications that Fioretta was his long-time mistress. Together they gave birth to a son, Giulio, a son who will achieve a great and lofty position (and who will receive a post in this series dedicated to him in the near future).

While it is true that Il Magnifico, the famous of all the Lorenzos de’ Medici, had a long time mistress, as well as multiple other dalliances, it did not seem to inhibit his conjugal relations with his wife, Clarice Orsini. Together they conceived ten (yes, 10) children. Their first born, a girl, Lucrezia Maria Romola de’ Medici, made a politically powerful marriage, a union which would produce ten more children, some of whom went on to become the most influential of all the Medicis.
Confirmation of the Franciscan Rule from the Sassetti Chapel frescoes.
Among the spectators are Lorenzo's sons, from right Giulian with their tutor
Poliziano, then Piero and Giovani
Domenic Ghirlandaio 1483-1485
Less than a year later, Clarice gave birth to twins who perished shortly after their death.

Next in line comes, Piero, a man who will became infamous, who will bring the Medici family to one of the lowest points in their long history (look for an upcoming post devoted to Piero).

Following less than a year after Piero, Maria Maddalena Romola de’ Medici was born. Given the same humanist education, as were all of Lorenzo’s children, she would marry the son of a pope. Maddalena lived most of her life in Rome and was buried, by order of her cousin Pope Leo X, in St. Peter’s Basilica.

Contessina Beatrice de’ Medici was born in 1474; she died in the same year.

Giovanni di Lorenzo de’ Medici was the next of Lorenzo and Clarice’s children. He would follow in his cousin Giulio’s footsteps, becoming Pope Leo X (he too, will receive a devoted upcoming post).

Although the next child, a girl named Luisa but often called Luigia, was betrothed to Giovanni de’ Medici Il Popolano, her cousin, her life lasted only eleven years.

As if to honor the first child to bear the name, even for so short a time, Lorenzo and Clarice named their next child, another girl born in 1478, Contessina Antonia Romola who would marry Piero Ridolfi. One of their children would distinguish himself in the years to come.
Giuliano's State in the
Medici Chapel;

However, Giuliano di Lorenzo de’ Medici, their last child born in 1479, would come to distinguish himself perhaps more than any of the others. The future Duke of Nemours will be featured in a forthcoming post.

The next couple in Il Magnifico’s generation is his older sister, Lucrezia, more widely known as Nannina. Nannina married Bernardo Rucellai, an oligarch, banker, ambassador, and a man of letters. They married in 1466, when Nannina was only 13 years old. The couple had four sons, three of whom—Cosimo, Pietro, and Palla--are unremarkable and little is known of their lives. Their youngest son, Giovanni di Bernard Ruccellai, would become remarkable as a man of letters as well as a purveyor of justice in the city of Florence; his life and works will be featured in an upcoming post.

Lorenzo’s younger sister, Bianca was to be a heartbreak to her brother. Married to Guglielmo de’ Pazzi in 1458, at the age of 14, their union at first was a political move to strengthen the tenuous relations between these two powerful Florentine families. But, with the trauma of the Pazzi Conspiracy, an horrendous plot which will be featured prominently in the first book, Portrait of a Conspiracy, in my upcoming series, Da Vinci’s Disciples, which resulted in the murder of their brother, Giuliano, Lorenzo was forced to banish Guglielmo from Florence, and with him went Bianca. Their exile lasted fifteen years, but it did not seem to affect their love-life. The couple would have a total of sixteen (yes, 16) children, two of whom died at birth: Antonio in 1460 and Piero in 1468. Their first surviving child was a girl named Giovanna known only for her marriage to Tommasso Monaldi. Like her elder sister, their next child, a girl, the records of Contessina show only her marriage to Giuliano Salviati in 1476.

Their fourth child, third to survive birth, was a boy, whom they also named Antonio. This Antonio would go on to have a long and productive life as an ambassador and a politician who would hold the office of Gonfaloniere di Giustizia in 1521.

Bianca and Guglielmo’s fifth child was a girl, and as history would have it, she is noted only for her marriage to Bartolomeo Buondelmonti.

Such historical anonymity can not be said for the sixth child born of this couple. Cosimo de’ Pazzi, born in 1466, would have a note-worthy ecclesiastical career. He began as an abbot in the Archdiocese of Florence in 1475. Cosimo would go on to hold the positions of Bishop of Oloron (1492-1497), Bishop of Arezzo (1497-1508) and Archbishop of Florence (1508-1513).

Like his uncle and his great grand-uncle, Lorenzo Alessandro, the next child in this Medici-Pazzi line, would become a merchant, a lover of the arts, and a Latin scholar.

Another girl follows, Cosa, whose only known fact is her marriage to Francesco di Luca Capponi. Three more sons, Lorenzo, who became a politician and an ambassador;  Renato, who made his living as a goldsmith merchant, and Lorenzo Alessandro followed Cosa. Lorenzo Alessandro's political career was fast, furious, and famous. He would serve as Prior of Freedom in 1467, as a Guardia e Balia in 1469, an Officer of Monte in 1471, and serve on the Console di Zecca in 1475.

Two more girl children came next; Luigia who married Folco di Edoardo Portinari in 1494 and Maddalena, who married Ormanozzo Deti in 1497.

Alessandro de’ Pazzi, the fourteenth child born to Bianca and Guglielmo, would distinguish himself as an ambassador, a writer and a Hellenist (a follower of the influence of the early Greek culture). His younger sister, Lucrezia, would marry a de Cattani Diacceto who changed his name to Martelli. They married in 1500.

Their youngest child they named Giuliano, an interesting choice considering that Guglielmo's father’s family was responsible for his wife’s brother’s (of the same name) murder. Giuliano would become a great scholar and ecclesiast, becoming a Doctor of Law as well as an abbot of the cannon of Florence.

It would seem for this couple that in exile, all there was to do was to reproduce.

Luigi de' Rossi (right) with
Pope Leo X (center) and
Giulio de Medici left,
the future Pope Clement VII
The next couple in the Il Magnifico generation, his sister Maria and her husband Leonetto, had only one child. As the information on Maria, like most women of the age, is scanty, the coinciding date of her death and her son’s, Luigi’s, birth, 1474, would make it a near certainty that she died either during child birth or not long thereafter. Luigi was educated with his cousin Giovanni di Lorenzo, who would become Pope Leo X. As pope, Leo appointed Luigi cardinal with the title of San Clemente in consistory on July 1, 1517. At Luigi’s passing in 1519, he was buried in Rome in St. Peter’s Basicila. Years later, his tomb was moved to Florence and the Church of Santa Felicita.

Little is known of Piero de’ Medici’s illegitimate son, Giovanni, including whether he married or sired any children.

Of this expansive generation, many of the thirty-eight would go on to further the power of the Medici family, become great in their own right, and expand the reach of the Medici through strategic marriages. Their impact will not be contained to Florence, nor even Italy, but far beyond, to the breadth of Europe itself.
The Medici Chapel-Cappella Medicea-houses many of the tombs of the Medici.
Many of the latter funereal monuments were commissed in 1520 by
Pope Clement VII (Giulio de' Medici) and were largely executed
by Michelangelo

(primary sources: the Medici Archives; History of Florence, Niccolo Machiavelli; The House of Medici: Its Rise and Fall, Christopher Hibbert; The Medici: Godfathers of the Renaissance, Paul Strathem;  The Medici: Story of a European Dynasty, Franco Cesati)