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The spark of initial inspiration for my third book, To Serve a King, came from the hedonistic and turbulent life of the king of France, François I; the second, from the mistresses who enflamed his court. Two women of great beauty, elegance, intelligence and charm, yet they hated each other with a breathtaking passion and dedicated most of their considerable conniving talents towards harming the other.
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From the moment they met, Anne and François became inseparable; she ruled his court and his heart and helped François give birth to the French Renaissance. From the first time Anne entered court on the arm of the charismatic king, she became its queen, if not in truth, then in spirit. She was forever by his side, even at his wife’s coronation. The meek and dowdy Eleanor of Austria, unlike Princess Diana when it came to Camilla, had no choice but to accept her husband’s lifelong mistress.
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In opposition to Anne’s brilliance, Diane de Poitier’s beauty was one of refinement and elegance, an understated and haughty beauty of an athletic disposition. The daughter of the Seigneur de Saint Vallier, she was married—at the age of 15—to Louis de Brézé, a grandson to King Charles VII, a man thirty-nine years her senior, a decrepit and grotesque man with a hump. And yet Diane did her duty by him and bore him two children, both daughters, though her heart never truly followed. Any warmth between them froze and cracked like thin brittle ice when, in 1524, her father was accused of treason as an accomplice in the seditious acts of the Duke de Bourbon, accused by Diane’s own husband. Convicted, his head on the chopping block, Diane’s father’s life was spared in the end. Many at the time believed the king’s clemency was awarded in exchange for a night of shared passion with the man’s daughter. Diane had saved her father but anything between her and her now elderly husband withered, much as he was soon to do. After his death in 1531, Diane would forever wear black, in later years accented with white, as the color of her mourning. But perhaps, one might hypothesize, it could also be envisioned as the color of her freedom.
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As with the ‘celebrities’ of our own time, rumors of these two fierce and passionate women abounded; but in many cases, the genesis of the gossip began with the other. Did Anne have affairs other than that with the king? Probably. Did Diane spread the conjecture of such extra-curricular activities with lip-smacking pleasure? Undoubtedly. Was Diane ever held an arm’s length apart in the court of François because of her inappropriate relationship with a much younger man? One would undoubtedly believe it to be so. Was the ostracism enhanced by the machinations of Anne and her cohorts? Most assuredly.
Their bickering and squabbling knew no bounds, stretching far across the trivial and into the realms of politics and religion, each in turn influencing the kings with whom they shared a bed, pitting father and son against each other in their efforts to be the ‘queen’ of the court. The historical fact of these turbulent women makes any historical fiction almost pale in comparison and yet their skirmishes lend layers of inspired sub-plots.
The lifelong—decades-long—dedication of these mistresses to their ‘kings’, their collusions and thirst for preeminence and power did not, ultimately and unfortunately, allow them to end their lives with the same glory and splendor with which each lived by the side of their lovers. Each died a lonely death far from the elaborate courts they graced. But, if the ties of the heart bind us long after these bodies are cast aside, then perhaps Anne and Diane are with their men still.